Sunday, December 31, 2006
Mountain Goat Maria
I am Maria the Mountain Goat springing up the mountainside in my new platform shoes. I have been unleashed and am unshackled. I am free. Weeeeeeeeeeeeee!
Illustration by Nika - http://nitchkins.multiply.com/
Friday, December 29, 2006
It's all in a grain of rice
I can't use a fork well anymore.
One of the things I love most about Korea is that I don't shovel food into my mouth with a fork. I can get exactly that one piece of fried rice, a noodle, a pea that has escaped the gochujang. I have control and savory enjoyment of a miniscule moment of prepared nutrition. Not an overloaded sensory, fat saturated & sodden moment to distract from my issues. I know what I am doing. Working for it. And aesthetically obtaining it.
My last days at Gwangju Dae are enormously insightful why I have chosen Korea as my home. The culture pressure of ever changing norms to "catch up" coupled with the cadence of the unself-conscious disclosure of roots. Enthralling. Ravishing. So incredibly beautiful.
A tapestry. A Persian rug can hint at the culture permeating people, habits, and behaviors. But in Korea I have something much more ethereal and impossible to catch and adequately communicate to those I most want to understand me and what I am going through. "Impossible" I am so often told here. I finally understand. Impossible is it to nail down, categorize and dismiss the nuances once you can taste the differences between the assorted kimchee on offer.
One of the things I love most about Korea is that I don't shovel food into my mouth with a fork. I can get exactly that one piece of fried rice, a noodle, a pea that has escaped the gochujang. I have control and savory enjoyment of a miniscule moment of prepared nutrition. Not an overloaded sensory, fat saturated & sodden moment to distract from my issues. I know what I am doing. Working for it. And aesthetically obtaining it.
My last days at Gwangju Dae are enormously insightful why I have chosen Korea as my home. The culture pressure of ever changing norms to "catch up" coupled with the cadence of the unself-conscious disclosure of roots. Enthralling. Ravishing. So incredibly beautiful.
A tapestry. A Persian rug can hint at the culture permeating people, habits, and behaviors. But in Korea I have something much more ethereal and impossible to catch and adequately communicate to those I most want to understand me and what I am going through. "Impossible" I am so often told here. I finally understand. Impossible is it to nail down, categorize and dismiss the nuances once you can taste the differences between the assorted kimchee on offer.
Friday, December 22, 2006
Wednesday, December 20, 2006
Purple Teeth
Dreaming permits each and every one of us to be quietly and safely insane every night of our lives. -William Dement, in Newsweek, 1959
http://www.swoon.com
Purple: Purple is a forerunner to happy social affairs.
Teeth: Even and/or very white and beautiful teeth forecast happiness and prosperity. Brushing your teeth indicates the clearance of obstacles that have been holding you back.
Or is it just
Major Vagina dentata?
jpg by www.christopherkuhn.com
Tuesday, December 19, 2006
Hello New GIC Interns
Welcome to our new GIC student interns:
Su Hyeon, a Political Science major from CNU, has joined GIC for the winter to practice her English and get some NGO experience. She is the editor of the CNU Korean newspaper and has spent a few weeks in the USA.
Our new 6 month intern is SongGon. He is a senior in the business administration program at CNU. He spent two months in Australia as a database management intern. He will be a familiar face around GIC, so make sure you take some time to meet him and buy him a nok cha.
SeRyung (TTTTTTTTTTTTom), an Electronic Computer Engineer major from CNU, has commited to spending his winter vacation assisting GIC. He just wants to help our community. He spent a year in Florida studying English.
SuHyeon and SeRyung are GIC winter interns. GIC and CNU collaborate to offer these internships. Students who participate in the winter program receive a score and obtain 15 credit hours for their commitment.
Leading GIC is SingSing Kim. Famous she is. Kind she is. SingSing is the GIC Coordinator. She oversees 9 of 12 different GIC programs:
GIC Talk Series
GIC Culture Tour Program
Counseling services for foreign residents
GIC Day
Fundraising Concerts
International Youth Exchange programs
Financial assistance to Third World countries
Collaboration with Asian Human Rights Commission
Translation Services
Dr Shin keeps the English Library in order. Minsu Kim does Gwangju News Magazine layout and leads the administration for our Korean classes.
Sunday, December 17, 2006
Friday, December 15, 2006
Unblurry in Jeonju
Goodbye Yong Ho
Wednesday, December 13, 2006
Pulled Apart or Imploding
When I was home de
Sunshine seemed like gold.
When I was home de
Sunshine seemed like gold.
Since I come up North de
Whole damn world's turned cold.
-Langston Hughes
Age
by Robert Creeley
Most explicit--
the sense of trap
as a narrowing
cone one's got
stuck into and
any movement
forward simply
wedges once more--
but where
or quite when,
even with whom,
since now there is no one
quite with you--Quite? Quiet?
English expression: Quait?
Language of singular
impedance? A dance? An
involuntary gesture to
others not there? What's
wrong here? How
reach out to the
other side all
others live on as
now you see the
two doctors, behind
you, in mind's eye,
probe into your anus,
or ass, or bottom,
behind you, the roto-
rooter-like device
sees all up, concludes
"like a worn-out inner tube,"
"old," prose prolapsed, person's
problems won't do, must
cut into, cut out . . .
The world is a round but
diminishing ball, a spherical
ice cube, a dusty
joke, a fading,
faint echo of its
former self but remembers,
sometimes, its past, sees
friends, places, reflections,
talks to itself in a fond,
judgemental murmur,
alone at last.
I stood so close
to you I could have
reached out and
touched you just
as you turned
over and began to
snore not unattractively,
no, never less than
attractively, my love,
my love--but in this
curiously glowing dark, this
finite emptiness, you, you, you
are crucial, hear the
whimpering back of
the talk, the approaching
fears when I may
cease to be me, all
lost or rather lumped
here in a retrograded,
dislocating, imploding
self, a uselessness
talks, even if finally to no one,
talks and talks.
Tuesday, December 12, 2006
Uijae Museum of Korean Art
Uijae Museum of Korean Art is located on the way up to Mudeunsan (Mountain) near Jeungsim Temple in Gwangju. The Exhibition Cave as the museum building is called has a floating walkway leading to a tea area to enjoy a fragrant green tea before or after a view of the museum. Glass windows in the tea area panel the view of the mountainside, creating a natural painting, just as Master Uijae himself would have painted although in traditional Korean style with paper, ink and brush. The trapezoidal building leads the visitor through the collection in an intuitive meander, as if enjoying the outdoor paths up Mudeunsan.
In the Samaehun Buidling sit on traditional Korean flooring, a lovely warm wonder of ondol heating in the winter while enjoying the scent of Choonsul Tea. Uijae's spirit invites you to spend time in thought and talk about the artists' compositions, using traditional materials with modern subjects.
Korean traditional painters with natural materials of paper, ink and brush chose to paint nature as it is seen with the eye. Historically having sloughed off the Chinese philosophy of utopian paintings of nature, modern Korean artists continue the rebellous tradition of finding their own way to share their experience of modern life through traditional materials.
Special thanks to SooJung for this afternoon adventure. It was also nice to meet Siyon Jin of the Uijae Resident Program. Sharing time and tea in the artists' studio viewing his media presentations of changes in modern life, its confusion, violence and beauty, was a great way to enjoy a chilly winter afternoon. I'm looking forward to the opening of the current resident artists program on December 20, 2006 at 4:30pm.
The Uijae Museum of Korean Art and the Gwangju city government welcomes artists, Korean and international, for four month residencies. This residency program is funded for one year while Gwangju continues its development strategy of becoming an Asian cultural hub.
Check out www.ujamstudio.net
In the Samaehun Buidling sit on traditional Korean flooring, a lovely warm wonder of ondol heating in the winter while enjoying the scent of Choonsul Tea. Uijae's spirit invites you to spend time in thought and talk about the artists' compositions, using traditional materials with modern subjects.
Korean traditional painters with natural materials of paper, ink and brush chose to paint nature as it is seen with the eye. Historically having sloughed off the Chinese philosophy of utopian paintings of nature, modern Korean artists continue the rebellous tradition of finding their own way to share their experience of modern life through traditional materials.
Special thanks to SooJung for this afternoon adventure. It was also nice to meet Siyon Jin of the Uijae Resident Program. Sharing time and tea in the artists' studio viewing his media presentations of changes in modern life, its confusion, violence and beauty, was a great way to enjoy a chilly winter afternoon. I'm looking forward to the opening of the current resident artists program on December 20, 2006 at 4:30pm.
The Uijae Museum of Korean Art and the Gwangju city government welcomes artists, Korean and international, for four month residencies. This residency program is funded for one year while Gwangju continues its development strategy of becoming an Asian cultural hub.
Check out www.ujamstudio.net
Monday, December 11, 2006
Gwangju International Center
After a long day of pushing and nudging, the Gwangju International Center staff and volunteers stop for a photo outside of Jeonil building, GIC's home and in front of the downtown tree.
Special thanks to Jiwon, our "precious" volunteer, Tae Hyung, our office redesign architect, and SingSing, GIC Coordinator .
Sunday, December 10, 2006
Purpose - Occupation is essential
Is there purpose to our lives? We have daily opportunities to respond to others revealing our purpose. Even when we can't see clearly or when we doubt our abilities, by showing up and doing our work, we can look and listen for our part in the big picture.
I went to the KOTESOL Leadership Retreat this past weekend. This is my fourth. I love these chances to exchange with my colleagues working all across the Korean penisula. I always walk away astounded that we get so much done and no one gets paid.
Every year I see a little less ego and power play. I see a little more celebration and enthusiasm.
There is less a sense of work and more a sense of play.
Every year I see a little less talk and a lot more action.
There is more sharing of gifts and talents. More courage and confidence in skills uncovered. TaeHee from Taegu never fails to amaze me that he not only shows up but quietly, genuinely shares his vision through encouraging Koreans in Gumi to attend Daegu chapter workshops.
And then there are the sparks that fly when the 6 million dollar man is given as a metaphor for our technology strategy for 2007. When you are ready the teacher appears. Joshua not only has the tech skills to enable our organization to actually provide decent web presence, but also has inspirational leadership skills to convince the luddites in our midst that change is not so scary.
To colleagues, old and new. To teachers, present and past. Thank you for giving me the opportunity to be me. Even if I don't know my own purpose.
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